Discuss ways in which Ort tries to make sense of his existence

All through the novel, Ort in fact attempts to understand his reality from multiple points of view. It is likewise consistent with state that his relationship with Henry Warburton encourages him with this disclosure. Their relationship, despite the fact that time-taking to find, is useful towards Ort's comprehension of his reality, and his character specifically is extraordinarily profited. Ort's mission to comprehend his reality is welcomed on by the fender bender where Sam, his dad, is placed into a trance like state. From this second on, the entire family in truth attempts to comprehend their reality, and Warburton is a helpful impact towards the entire family in this sense, not simply Ort. Before talking about the manners by which Warburton is helpful impact during the time spent distinguishing Ort's presence, it needs to found in which ways he attempts to comprehend his reality; After the auto accident, which left the dad, Sam, good and gone for the family, Ort has been given the duty of the dad figure. Obviously, for this to happen to a multi year old kid, it leaves him lost, and clearly deluded towards what precisely has simply occurred. One significant thing that Ort considers during this time of disclosure is about his own type of religion, or a divinity like figure to turn upward to. It is seen by the crowd that the main thing that Ort can gaze upward to and get any assistance from is that recently shaped divinity figure evident in the sky. He utilizes this god in the sky to ideally spare him from non presence and accordingly assist him with finding his present presence. Henry Warburton is then brought into the conversation, as he positively affects Ort's point of view, and presence. He helps Ort comprehend his place throughout everyday life, and is nearly the divinity for Ort, giving help and support, and furthermore assisting with Ort's self revelation. Indeed, even Henry Warburton claims that he is a divine being, and that he has come to help Ort, advancing himself as a divine resembling figure. Warburton gives the positive impact to Ort's revelation of his reality, as he gives assistance encompassing certain ways of life. Warburton can see and accept things that nobody else in the family, including Ort, does, in this manner giving help with Ort's self revelation. In numerous scenes all through the novel, Henry Warburton's persuasive figure is scene, which brings support for Ort's understanding. He goes about as a dad like figure to Ort, in any event, giving control to different individuals from the family on events, and supporting Ort's activities and perspectives. Notwithstanding these undeniable ‘perks' for Warburton's sake to support Ort's seeing, some more negative angles about Warburton's impact are clear, when more profound parts of the novel are investigated. Warburton's character unavoidably seems defective to the family, through various blames, for example, the way that he has a glass eye and a discourse obstruction. ‘Geez, he has inconveniences'. Concurring with this acknowledgment by the family, Warburton diminishes his talk, and shows the crowd that Ort has gotten very dependant by this phase in the novel. All through the novel, Ort encounters things which would typically never be experienced by a kid that age. With all the emergencies he experiences, Henry Warburton, a bizarre however adoring minister who appears on the doorstep, shows Ort the best approach to comprehension, and self acknowledgment, and is consequently a valuable impact towards Ort's understandings.

Architecture Research Paper Kansai International Airport Essay Example for Free

Design Research Paper Kansai International Airport Essay The Kansai International Airport planned by engineer Renzo Piano is an extremely entrancing and one of a kind structure. It development consolidates a man-made island, an innovative new age looking structure and inventive compositional plan to make one of the greatest and most costly air terminals on the planet as observed to directly in (Figure-1a). Human utilization of Kansai Airport is best communicated by the talk subjects examined in class that include: Designation and Organization of Use, Architectural Determinism, Humanism at a Personal Scale, and Humanism at the Scale of Neighborhoods/Communities/Bureaucracies and Meaning in Architecture. In the Professor Speck’s class address over Designation and Organization of Use, there are numerous subjects that I feel corresponding with the structure of Kansai International Airport. In address Professor Speck said that the general condition a structure is in energizes both the conduct perspectives and the physical condition, which thusly adjusts the shape conduct of the structure. This announcement relates splendidly to Kansai Airport, since as a matter of first importance the structure is worked of the shore of Osaka, Japan on a made-island. So before the structure is worked there is as of now a feeling of conduct and physical contrast that separates it from different structures. As indicated by the talk space is assigned for three reasons. The main explanation being the common sense of the assigned space, at that point the infusion of certain social qualities and restrictions lastly the natural human need to guarantee pace-interims and network. Additionally, he said that when engineers are arranging the zoning for building they think about time, proficiency and machines. Kansai Airport was fabricated in light of a requirement for a major universal air terminal; nonetheless, Piano needed to locate a substitute area due to the crowdedness of the Osaka Bay region. Along these lines, he utilized the subject of assignment and association use to arrive at the decision of an artificial island. Piano choice for the island can be contrasted with early American houses communicated in the book The Place Houses. In the book the writers depict how the early houses in New England, Virginia and Deep South varied in configuration to help adjust to there condition. Be that as it may, after Piano tackled the issue of where the air terminal would be assembled he despite everything needed to choose to what extent to make the island so it could house the enormous structure. An official conclusion was for the island to be four kilometers in length and one kilometer wide. The Phaidon Press portrays this well in the book On Tour with Renzo Piano when they compose, â€Å"Projects, for example, Kansai International Airport are so enormous in scale that they are practically difficult to get a handle on. †(p. 7). The size of the island is seen from an aeronautical view above in (Figure 2-a). Engineering Determinism, as referenced by Professor Speck, assumed a significant job in the structure and development of the Kansai Airport. The inside of the structure is anything but difficult to explore around. Straightforward glass assists quiet with peopling down and simultaneously accelerate the procedure of appearance and takeoff. The long and limited structure takes into consideration an almost boundless field of vision, making a calm and lighthearted condition. This is depicted well in the book Renzo Piano when Emilo Pizzi composes, â€Å"The want to boost straightforwardness between the different zones allotted to embarkation and appearance techniques keeps an eye on that priority is given at each point to the travelers need to discover their way, just as empowering them to see the planes stopped before the structure through windows. † (p. 228). Instead of certain structures where individuals can feel like a needle in roughage stack and get lost effectively, Kansai International is exceptionally simple to explore through even with its monstrous size. The straightforwardness of the inside that outcomes in simple and effectiveness of development starting with one spot then onto the next is obvious in (Figure 3-a) right or more. The following issue introduced in address identified with the Kansai Airport is Humanism at a Personal Scale. The collection of various types of vegetation inside the terminal give let the air terminal associate with the individuals strolling through it. The plants help to balance the chilly, unwelcoming feeling that is radiated by the immense measure of steel, high roof and open spaces. Additionally assisting with counterbalancing this unwelcoming feeling is the lovely perspective on the Osaka Bay. The enormous glass windows joined with sun reflecting off the water permits a great deal of normal light into the terminal. As communicated in the book The Place of Houses common light helps give a warm clear inclination to room that will remain in our brains long after we leave that room. Another little however import highlight of Kansai Airport is the little signs that give headings. While all air terminals have these signs, they are particularly significant especially in this gigantic terminal. Comfort of eateries and stores additionally encourages the air terminal to associate with the individuals strolling through it on a progressively close to home scale. This scope of exercises helps everybody that is showing up or leaving feel somewhat greater in such a huge spot. The entirety of the little tributaries from the cafés, stores, and so forth lead to a â€Å"canyon† zone that is the point of convergence of the terminal. Again this is to attempt to make appearance and takeoff run all the more easily. This is clarified well in the book Renzo Piano when Emilo Piano composes, â€Å"Inside, the various levels gather into the â€Å"canyon,† a tall chamber involving the fall of the stature of the structure, which goes about as an arranging point for those showing up or landing off the planes. † (p. 28). The significance of center is likewise refered to in the book The Place of Houses, which says that the â€Å"focus† of a room is one of the most significant and basic attributes, since they (foci) are implied help to sort out the room around the focal point of intrigue. For this situation is ravine is both the focal point of intrigue and the â€Å"gateway† to the remainder of the terminal. In (Figure 4-a) right or more one can plainly perceive how the â€Å"canyon† alongside the huge signs help to make Kansai International Airport progressively reasonable and how it assists with taking into account individuals on an increasingly humanistic and individual scale. Humanism at the Scale of Neighborhoods/Communities/Bureaucracies is the following issue I will talk about and its association with the Kansai International Airport. I imagine that humming, occupied environment causes the individuals in the terminal to feel warm and good humored. While it could be contended that to numerous people strolling hastening through the air terminal simultaneously could be upsetting and irritating, I believe that like the plants, stores and eatery the ocean of individuals assists with occupying the immense inside space of the terminal. In any case, if Kansai were contrasted with a city I would contrast it with one of the bigger cities in the US, essentially as a result of number of individuals and the packed inclination it emits. I imagine that the vibe in the terminal would resemble an overstated impact of what west grounds resembles during the evening of a school day. Both require a great deal of strolling and there is practically no chance to drive a car through either. In spite of the fact that I don't accept that Kansai Airport is fundamentally an awful situation, it is absolutely not a supporting one. In address Professor Speck called attention to that there are eight standards of sustaining networks. They are as per the following, comfort, wide scope of articles, wide scope of exercises, feeling of human nearness, individual human scale, assortment of visual encounters, opportunity from interruption of unsettling influence and normal help. As I would see it Kansai Airport fulfills every one of them with the exception of interruption of interruption, which is unquestionably doesn't fulfill in light of the mass measures of individuals. Emilo Pizzi clarifies this well in Renzo Piano when we he composes, â€Å"The place appears to inspire the disturbance of Japanese urban communities, yet additionally the soul of a millenary civilization†¦Ã¢â‚¬  (p. 228). In spite of the fact that Kansai isn't horrendous to the extent its Humanism at the Scale of Neighborhood/Communities/Bureaucracies is concerned it is unquestionably not as friendly as the models given in address, for example, Kresege College in California, Byker, Newcastle-upon-Tyne in England, Tapiola New Town, Finland or the Crown Fountain, Millennium Park, Chicago. The last issue that Professor Speck examined about in address was the Meaning of Architecture. The issue starts with the visual culture movement in the previous fifty years prompting both more noteworthy understanding perception and more noteworthy visual appreciation; engineering needed to advance too. In this manner, modelers began to utilize certain approaches to â€Å"communicate† these methods of correspondence incorporate Literal Direct Communication (LDC), Literal Indirect Communication (LIC) and Abstract. A case of LDC is a bulletin of a dairy animals with the subtitle â€Å"eat more,† so truly the meat is portrayed. A case of LIC would be an image of Bevo with the inscription â€Å"We’re Texas. † Finally Abstract is characterized as portraying certain inclination, hues, shapes, and so on. I accept that Kansai International Airport is a mix of LDC and Abstract, since it would seem that an air terminal with runways, planes, and so on yet in addition is made of novel shapes that set it apart from some other structure. The uniqueness of Kansai that make it conceptual are exhibited well in Renzo Piano when Emilo Pizzi composes, â€Å"From the air, the structure resembles a sparkling banner that happily welcomes the explorer from the tremendous fake island. The picture remains in the brain while, having set down, the plane stops before the enormous metallic veneer of the structure. † (p. 224). A visual Kansai is banner like structure and its Abstract correspondence is plainly portrayed in (Figure 5-an) underneath. Taking everything into account, Professor Speck examined numerous issues in address that distingui

Does Going to Camp look bad for College TKG

Does Going to Camp look bad for College We’ve worked with a lot of students and parents and the following questions have come up a lot: can my child go to camp? On that note, what about working at camp? Does that look bad for college? The short answers are no and no. Let us expand on that.Oftentimes people consider this question between junior and senior year because it’s the time when students and parents begin to overanalyze every single thing that a student is doing. They’re in “the beginning” of college applicationâ€"even though colleges look at all four years, not just the last twoâ€"and all of a sudden parents are looking at everything that is going to go on the application under a magnifying glass. What’s important to note is that no one thing is going to prevent you from being admitted to any school, especially how you spend four weeks in the summer. It’s how your application comes together and your profile as a whole as opposed to one particular thing that you can do to “mess it up.” So take a br eath, relax, and let’s think about this question practically.Ultimately, colleges want to see you doing something and contributing in some way. It doesn’t matter what you do as much as how you use your free time. We are pretty clear that by high school, or at least junior year, your child shouldn’t be attending camp as a camper. Rather, if they are participating in programs they should be academically-focused. Paying to do water sports all summer doesn’t show that a student is committed to anything except having fun. While fun is certainly important and we feel that every summer should have some component of relaxation so that students can recharge, we discourage our students from attending camp as a camper. It’s not as mature of a decision and we’d like for our students to display for colleges.Working at a camp is an entirely different beast. We and colleges alike are less concerned with what you specifically do with your summertime as long as it is something that is su bstantial and thoughtful. Getting a job over the summer is a necessity for many students, but it’s also a preference for a number of students. Thus, working at a camp (perhaps where you used to be a camper) is a logical first or second job (it also secretly checks off the fun box in a way that’s acceptable). Colleges want you to commit to something and that includes taking advantage of an opportunity that is more time-intense of an experience. Colleges also want to see that you commit to something and really give it your all, as well as use your time off effectively. We’d recommend working at a camp for 6-8 weeks full time vs. having an internship 2 days a week that you think looks good on your resume when you have nothing to show for the other 5 days of the week.So yes, work at the camp. Work at the restaurant. But there’s a caveat. If you’re working at a camp or have another paid job over the summer, then it’s even more important that you use your free time effectively . Think about it like interval training for your interests. Intense periods of work followed by intense, shorter periods of time that you are investing in your interests by reading books, completing online courses, and perhaps even working on a long-term project that you slowly chip away at throughout the summer. Alternatively, if you can’t see yourself reading in your free time at camp, consider using the 2 weeks that you have between camp ending and school starting to really commit to reading 3 books, completing 1 online course, and completing 1 creative writing piece. Doing a few things intensely for shorter periods of time puts your ability to manage your time effectively on display, as well as your ability to self-start, and determination to complete a task at hand. Ultimately, working at a camp and then taking 2-3 weeks to complete a few items that expand your interest on a topic will speak volumes. Splitting your summer up also decreases your chance of getting bored of some thing, because you basically only have time to immerse yourself in it. That immersion experience can be exciting, inspiring, and incredibly productive.Overall, don’t sweat what that the “right” thing to do over the summer is, because there is no right thing. The best thing that you can do is something that takes up time, produces a new awareness and set of skills, and is anything but absolutely nothing. Colleges will be more concerned if there is nothing on your resume at all for the summer than if you worked at a camp that has little to do with your other interests. Taking an active role in a community and participating in any way is better than sitting at home daydreaming. It means that your brain is on, you’re out in the world contributing, and you’re taking actionNeed help planning your summer? Reach out.

Flann OBrien, Dickens and Joyce Form, Identity and...

Flann OBrien, Dickens and Joyce: Form, Identity and Colonial Influences All quotations from The Third Policeman are taken from the 1993 Flamingo Modern Classic edition. In this essay I intend to examine Flann OBriens The Third Policeman in the context of the time of its writing, 1940, its relation to certain English novelistic traditions and also the broader Irish literary tradition in which it belongs. Seamus Deane refers to Ireland as a Strange Country and indeed OBriens own narrator recalls the words of his father: . . . he would mention Parnell with the customers and say that Ireland was a queer country. (7) Such a concurrence indicates to a degree the peculiar nature of the Irish situation with regard to†¦show more content†¦The publication of Ulysses with what Declan Kiberd has called its . . . cathedral-like structure . . . (Interview), left an anxiety of influence for many Irish writers. Where could one go fictionally after Ulysses? Ulysses, seen as an attempt at an all encompassing, encyclopaedic form is more indicative of a post-colonial mimic anxiety than the work of OBrien. Post-colonial is used here in the sense of the beginning of resistance rather than as a chronological marker. The cathedral-like structure while splendid, and the pointed satire of parody of English form suggests a literary materialism and an overwhelming desire to beat them at their own game. To install oneself and ones work in the epic tradition may well place one on the European literary map but it may also betray an anxiety which legitimates such hegemony. OBriens subversion of bildungsroman and flight into a non-realist surrealistic mode is suggestive also of a more pressing discontent with the Irish Free State and its intolerance of difference. The balloon episode functions as an allegory of a tendency to prohibit freedom and intrude upon the privacy of the individual. (163-65) Sergeant Pluck concludes: That is a nice piece of law and order for you, a terrific indictment of democratic self-government, a beautiful commentary on Home Rule. (165) A certain

Iranian or Persian Whats the Difference

The terms Iranian and Persian are often used interchangeably to describe people from Iran, and some people think they mean the same thing, but is one term correct? The terms â€Å"Persian† and â€Å"Iranian† don’t necessarily mean the same thing. Some people draw a distinction in that Persian relates to a particular ethnicity, and being Iranian is a claim to a certain nationality. Thus, a person could be one without being the other. The Difference Between Persia and Iran benoitb / Getty Images Persia was the official name of Iran in the Western world prior to 1935 when the country and vast surrounding lands were known as Persia (derived from the ancient kingdom of Parsa and the Persian empire). However, Persian people within their country have long called it Iran (often spelled Eran). In 1935, the name Iran came into existence internationally and The Islamic Republic of Iran, with the boundaries in existence today, was founded in 1979 following the revolution which ousted the government of the Shah Mohammad Reza Pahlavi (1919–1980). Generally, â€Å"Persia† today refers to Iran because the country formed over the center of the ancient Persian empire and the majority of its original citizens inhabited that land. Modern Iran is comprised of a large number of different ethnic and tribal groups. People who identify as Persian account for the majority, but there are also large numbers of Azeri, Gilaki and Kurdish people, too. While all are citizens of Iran are Iranians, only some can identify their lineage in Persia. The Revolution of 1979 Citizens werent called Persian after the revolution of 1979, during which the country’s monarchy was deposed and an Islamic Republic government was put in place. The king, who was considered to be the last Persian monarch and had attempted to modernize the country, fled the country in exile. Today, some consider â€Å"Persian† to be an old term that hearkens back to the former days of monarchy, but the term still has cultural value and relevance. Thus, Iran is used in the context of political discussion, while both Iran and Persia are used in cultural context. Iran Population Composition The CIA World Factbook for 2011 pinned the ethnicity breakdown for Iran as follows: 51% Persian24% Azeri8% Gilaki and Mazandaran7% Kurd3% Arab2% Lur2% Baloch2% Turkmen1% other In 2019, ethnic percentages are not estimated, but tribes in Iran are listed as Persian, Azeri, Kurd, Lur, Baloch, Arab, Turkmen and Turkic. Official Language of Iran The official language of the country is Persian, though locally it is called Farsi. Percentages estimated in 2011 were: 58 percent of Iranians speak Persian or a  Persian dialect26 percent speak Turkic and Turkic dialects9 percent speak KurdishOthers speak Luri, Balochi, Arabic, Turkish and other languages But in 2019, no percentages were offered, but Persian (official), Azeri Turkic and Turkic dialects, Kurdish, Gilaki and Mazandarani, Luri, Balochi, and Arabic are listed. Are Persians Arabs? Persians are not Arabs. Arab people live in the Arab world made up of 22 countries in the Middle East and North Africa including Algeria, Bahrain, the Comoros Islands, Djibouti, Egypt, Iraq, Jordan, Kuwait, Lebanon, Libya, Morocco, Mauritania, Oman, Palestine and more. Persians live in Iran to the Indus River of Pakistan and to Turkey in the west.Arabs trace their ancestry to the original inhabitants of tribes of Arabia from the Syrian Desert and Arabian Peninsula; Persians are a part of the Iranian inhabitants.Arabs speak Arabic; Persians speak Iranian languages and dialects.

Evaluating The Use Of The Jewish Faith To Cope Within An

Evaluating the use of the Jewish faith to cope within an Indianapolis Jewish community Donnell Stewart Anderson University Evaluating the use of the Jewish faith to cope within an Indianapolis Jewish community Introduction â€Å"Nursing is the protection, promotion, and optimization of health and abilities, prevention of illness and injury, facilitation of healing, alleviation of suffering through the diagnosis and treatment of human response, and advocacy in the care of individuals, families, groups, communities, and populations†. (American Nurses Association website, n.d.) At its core, nursing is a profession that is in the business of providing care to people. These people are diverse in a variety of different ways from common†¦show more content†¦During the semester, I plan to complete cultural, personal and topic objectives. Most of these tasks will be completed by accompanying Professor Neal, and the undergraduate nursing students, as they visit Hooverwood, a Jewish funeral home, Eva Kor, a holocaust survivor, at Candles museum in Terre Haute, Cantor Roytman at Beth Hillel Congregation Bnai Emunah (Chicago), Giardano’s and Taboun’s restaurants, as well as the Indi ana Hebrew Congregation (IHC) temple. Finally, we attend classes on Judaism with preschool children, and meet with JCC Shaliach Inbar Nadire, Susan Moss, RN and Mrs. Patti Freeman-Dorson, attorney and President of the Indianapolis Hebrew Congregation. To complete my cultural objectives, I will learn more about kosher diet and what items would be appropriate for someone to adhere to this type of diet and attend a religious a service with a former co-worker. Regarding my personal objective, I will learn 10 Jewish healthcare terms/ beliefs that would be helpful in caring for a Jewish patient. 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Compare and Contrast Arts and Crafts and Art Nouveau Essay Example For Students

Compare and Contrast Arts and Crafts and Art Nouveau Essay The Arts and Crafts movement who reacted against the new modern ways of designing in the sass and decided to reflect back to more traditional forms f both style and methods of craftsmanship in creating furniture and other household goods, including wallpapers and even tapestries. Arts and Crafts were primarily a reaction against the industrial designers like Michael Tone (1796-1871) a German designer and cabinet maker as well as Josef Hoffmann (1870-1956) and Christopher Dresser (1834-1904) a Scottish designer and theories It was a reaction against industrial design in general because Arts and Crafts was opposed to the machine and its practitioners wanted to revert back to Old fashioned ways, like hand carved wood and painted furniture. They believed in simple furniture made from good quality work- almost like the work Of the Shaker group who were an anonymous religious group known for their simple ways of living and furniture design, the main difference between Shaker and Arts and Crafts was that Arts and Crafts in traditional Victorian style, liked to use decoration-. Art Nouveau was influenced by the Arts and Crafts handiwork and craftsmanship and it is something both groups share in common however Art Nouveau did not neglect using the machines available to them to help aid heir creations. Arts and Crafts did not believe in using the machine and this was heavily instilled upon the movements leader, William Morris (1834-1896) a socialist and textile designer who throughout his life had great success in most creative outlets that he would venture into. Morris was famous for his wallpapers that mostly featured motifs of nature- mostly flowers and birds as well as tapestries like Woodpecker (1885), however these designs were usually expensive and it wasnt long until Morris had decided to venture down into something else. It was common at this time that architects not only design the buildings but also the furnishings inside and this was no different to those involved in the Arts and Crafts movements practitioners like Charles F. Voyages (1857-1941) and Philip Webb (1 831-1915). Webb is probably best known for his work on Morris Red House (1860) in Bequeathal however Webb also played a significant role in creating furnishings for the House, one especially being an Oxblood Red Dresser (1860), this was made for the purpose of Morris future children but also used as a functional storage unit. Webb had also created an ebonies wood Side Board (1861) which was painted and gilt with panels postdated leather. The sideboard had brass and copper handles with floral patterns among the body and shelves of the board. As mentioned before nature was a common motif shared by most of the Arts and Crafts designers. The Arts and Crafts movement had a great deal of importance between 1850 and 1918 and went on to influence both directly and indirectly Art Nouveau designers like Charles Rennin Mackintosh (1868-1928) a Scottish designer and Architect best known for his work on the Willow Tea Rooms here he not only designed the building but also its furniture including his famous high backed chair Which he produced many times both With back splats along with other designs. It also influenced designers like French designers Rene © Illiquid (MM 945) and Hector Gummier (1867-1942). And it was Morris who particularly influenced American designer Louis Comfort Tiffany (1848-1933). Tiffany was especially influenced by Morris particularly in Tiffany use of nature within his works, especially flowers which played a great role in most of Tiffany glass work creations- particularly his own stained glass windows. Tiffany had painted landscapes onto glass as well as using different colored glass blended together to create his own glass paintings. .u59c7c9452cd75a4918f423e8759bdf03 , .u59c7c9452cd75a4918f423e8759bdf03 .postImageUrl , .u59c7c9452cd75a4918f423e8759bdf03 .centered-text-area { min-height: 80px; position: relative; } .u59c7c9452cd75a4918f423e8759bdf03 , .u59c7c9452cd75a4918f423e8759bdf03:hover , .u59c7c9452cd75a4918f423e8759bdf03:visited , .u59c7c9452cd75a4918f423e8759bdf03:active { border:0!important; } .u59c7c9452cd75a4918f423e8759bdf03 .clearfix:after { content: ""; display: table; clear: both; } .u59c7c9452cd75a4918f423e8759bdf03 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u59c7c9452cd75a4918f423e8759bdf03:active , .u59c7c9452cd75a4918f423e8759bdf03:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u59c7c9452cd75a4918f423e8759bdf03 .centered-text-area { width: 100%; position: relative ; } .u59c7c9452cd75a4918f423e8759bdf03 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u59c7c9452cd75a4918f423e8759bdf03 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u59c7c9452cd75a4918f423e8759bdf03 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u59c7c9452cd75a4918f423e8759bdf03:hover .ctaButton { background-color: #34495E!important; } .u59c7c9452cd75a4918f423e8759bdf03 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u59c7c9452cd75a4918f423e8759bdf03 .u59c7c9452cd75a4918f423e8759bdf03-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u59c7c9452cd75a4918f423e8759bdf03:after { content: ""; display: block; clear: both; } READ: Business report EssayIt is probably best to say that Art Nouveau was inspired by Arts and Crafts and that is vhf it is clear that there are many similarities in their work regardless of their approaches taken. The main difference is the techniques in creation used as it can be seen that Arts and Crafts opted for a more traditional method and also style whereas Art Nouveau was able to create quality premium pieces but also being able to use the technology that was readily available to them at the time.